Jerome Poitevin is a transmedia digital artist at the intersection of computer art and contemporary new media art with internet. He follows this with research into aesthetics, based primarily around a study of the work of Jack Wesley Burnham, Walter Benjamin and Joseph Nechvatal.
Aside from his artworks, which are often embedded in the mass media and use internet as a raw material, Jerome Poitevin explores the profound impact of digital technologies on aesthetic experience affecting the way artists work and think, or see. Research concentrations range from virtual synthesis to algorithmic processes, and the ways in which their productions are distributed and communicated, affected like viruses.
Designed around new models of creative practices and discovery at the frontier of visual art and engineering, Jerome Poitevin follows a new generation of artists by promoting the invention of new forms of fine art that synthesize advances in digital computing, engineering, and information technologies. Thus, he shows that his artwork is refinement of the digital art combined commitment to aesthetics and technology.
